BRUSHES, AUXILIARIS AND PAPER

Daler Rowney Turpentine can be mixed with your oil colours to create  thin, quick-drying washes.
These types of washes are particularly common in underpaintings.
You can also use turpentine to clean your brushes.

Flat brush, Chinese bristle. Aluminium ferrule. Long wooden handle, transparent varnished. Numbers from 0 to 22 only even numbers.

Chinese Bristle

MADE IN CHINA

These made in China ordinary quality brushes are realized with whitened chinese bristles. Ideal for amateur painters or for buyers in search of saving.

105

Cat’s tongue brush, Kazan squirrel synthetic fibre. Nickel plated brass ferrule. Short wooden handle, blue varnished.

Flat brush, Plum synthetic fibre. Nickel plated brass ferrule. Short wooden handle, black varnished.

Plum Synthetic

The classic short handled Plum synthetic is one of the best high quality tools in school environments where the learning of oil and acrylics painting techniques on desk are approached. One of the first high elasticity synthetics historically present on the contemporary market, it’s still among the most requested in various areas such as modelling and textile decoration.

Round brush, Plum synthetic fibre. Nickel plated brass ferrule. Short wooden handle, black varnished.

Plum Synthetic

The classic short handled Plum synthetic is one of the best high quality tools in school environments where the learning of oil and acrylics painting techniques on desk are approached. One of the first high elasticity synthetics historically present on the contemporary market, it’s still among the most requested in various areas such as modelling and textile decoration.

Round brush, Extra bristle. Nickel plated brass ferrule. Long wooden handle, transparent varnished, black tip.

Extra Bristle

The best natural bristle available on the market. It embodies the best tool for painting styles such as impressionism which are characterised by fast, intense and substantial brush strokes with dense colors, on every support. Through a process that makes the tips thinner, softer and more closed inward, the pictorial touch is less scratchy compared to the classic, lower quality bristles, that is why the chromatic emulsion is facilitated.

Emerald Synthetic

This synthetic is mainly designed for dense oil painting with decise and substantial brush strokes; it is also excellent thanks to its chromatic draft in order to obtain more realistic effects with dense colors. Its short handle version is the ideal tool for amateur painters who are not yet capable of managing a long handle brush, or perfect for those professionals who demand the constant details monitoring from a closer distance. It is suitable for the decoration of whichever support in which a clear and elastic brush stroke is required.

Filbert brush, Emerald synthetic fibre. Nickel plated brass ferrule. Short wooden handle, green varnished.

Extra Ox Hair

Particular brushes whose shapes are born from specific technical requirements in different branches. Series 135 and 117 to draw long, thin lines in the pinstriping sector, series 360 for shades and shading in country decor, series 1200, 1265 and 1131 for decoration effects and faux wood and faux marble veins, series 2030 to catch gold leaf in the gilding sector.

Kazan Squirrel Synthetic

Amazing Kazan squirrel hair synthetic imitation, not only on a purely aesthetic level, but especially for what concerns the unquestionable fibers’ quality. Along with the original distinct squirrel hair features, such as softness and extreme capillarity, it also possesses an excellent return of the tip, this makes the Kazan squirrel synthetic absolutely unparalled in all the techniques which requires water-based colors, also including ceramic decoration.

Kazan Squirrel

Kazan squirrel hair boasts, amidst many other features, a softness without equals among natural hairs used to make brushes. Having ascertained its extreme, intrinsic capillarity, it’s the perfect tool for the painting techniques which involve water-based colors. These formidable peculiarities make it a tool of absolute efficacy in the creation of color fields also thanks to its superb color retention.