ARTEMISIA

A pale, high-quality, 100% natural plant resin ideal for various artistic applications. When dissolved (250–300 g in 1 liter of genuine turpentine), it produces a traditional, glossy Dammar picture varnish; for a matte finish, an additional matting agent is required. When used in paint preparation, it enhances gloss, accelerates drying, and provides a glass-like transparency in glazes. With a relatively low melting point (~120 °C), it is also suitable for adhesives and gold leaf mixtures, particularly in wax or cold-flow blends. It may contain natural impurities but remains fully usable. Store in a dry, cool place; any white surface bloom due to moisture disappears when dissolved and does not affect the resin's quality

An additive that accelerates the drying of oil paints and mediums. Even in small amounts it can reduce drying time by 30–50%. Excessive use may cause surface wrinkling. Compatible with linseed, safflower, walnut, alkyd oils, and varnishes (dammar, alkyd). Dosage: 0.5–1% (approx. 1–3 drops per 5 ml paint).

An additive that accelerates the drying of oil paints and mediums. Even in small amounts it can reduce drying time by 30–50%. Excessive use may cause surface wrinkling. Compatible with linseed, safflower, walnut, alkyd oils, and varnishes (dammar, alkyd). Dosage: 0.5–1% (approx. 1–3 drops per 5 ml paint).

Oil painting medium that combines the drying and gloss-enhancing qualities of dammar varnish with the flexibility of linseed oil and the thinning properties of turpentine. Mixable with oil paint in proportions of 5–30%, it supports the “fat over lean” principle, reducing the risk of cracking in later stages. Ideal for glazing and detail work, it enhances transparency, enriches colour brilliance, and imparts a glass-like gloss to the paint film. Compatible with oils (linseed, safflower, walnut, alkyd) and varnishes (e.g.: dammar, alkyd). 

An acrylic-based, waterborne varnish that protects and enhances acrylic paintings and finished artworks. Once dry, it forms a transparent, non-yellowing, high-gloss layer that enriches color depth and intensity. Apply in thin, even layers with a soft, wide brush over fully dried paint or decorated surfaces. For optimal protection, apply at least two layers, allowing each to fully dry before the next. Dry-to-touch in approx. 30 minutes, fully cured in 24 hours.

Artists have long relied on linseed oil to adjust the properties of oil paints, prepare mediums, or create their own blends. The most common is linseed oil, which, when mixed with paint, enhances its optical qualities, increases gloss, and improves colour transparency. Unlike solvents, it does not alter the structure of the paint. Linseed oils also affect drying time, which may be shortened or extended depending on the processing method used. Refined Linseed Oil: Pale yellow in tone, does not significantly discolour over time, showing far less tendency to yellow than raw oil. When added to paint, it makes it more fluid and easier to apply. Once dry, the paint film becomes glossy and water-resistant.

Artists have long relied on linseed oil to adjust the properties of oil paints, prepare mediums, or create their own blends. The most common is linseed oil, which, when mixed with paint, enhances its optical qualities, increases gloss, and improves colour transparency. Unlike solvents, it does not alter the structure of the paint. Linseed oils also affect drying time, which may be shortened or extended depending on the processing method used. Refined Linseed Oil: Pale yellow in tone, does not significantly discolour over time, showing far less tendency to yellow than raw oil. When added to paint, it makes it more fluid and easier to apply. Once dry, the paint film becomes glossy and water-resistant.

Artists have long relied on linseed oil to adjust the properties of oil paints, prepare mediums, or create their own blends. The most common is linseed oil, which, when mixed with paint, enhances its optical qualities, increases gloss, and improves colour transparency. Unlike solvents, it does not alter the structure of the paint. Linseed oils also affect drying time, which may be shortened or extended depending on the processing method used. Stand Linseed Oil: Partially polymerised, honey-like viscosity oil. Mixed with oil paint, it produces a smooth mixture that dries without visible brushmarks, forming a very glossy, hard, enamel-like layer. It has low yellowing tendency and dries relatively slowly, making it ideal for glazing, enamel-like finishes, and fine detail work.

Artists have long relied on linseed oil to adjust the properties of oil paints, prepare mediums, or create their own blends. The most common is linseed oil, which, when mixed with paint, enhances its optical qualities, increases gloss, and improves colour transparency. Unlike solvents, it does not alter the structure of the paint. Linseed oils also affect drying time, which may be shortened or extended depending on the processing method used. Stand Linseed Oil: Partially polymerised, honey-like viscosity oil. Mixed with oil paint, it produces a smooth mixture that dries without visible brushmarks, forming a very glossy, hard, enamel-like layer. It has low yellowing tendency and dries relatively slowly, making it ideal for glazing, enamel-like finishes, and fine detail work.

A distilled and purified oil derived from natural resin, also known as balsam turpentine. Colourless and volatile with a characteristic resinous scent, it is ideal for thinning oil paints and mediums and for dissolving natural resins. It speeds drying slightly and gives a subtle matt effect. Highly flammable, always work in well-ventilated areas.

A distilled and purified oil derived from natural resin, also known as balsam turpentine. Colourless and volatile with a characteristic resinous scent, it is ideal for thinning oil paints and mediums and for dissolving natural resins. It speeds drying slightly and gives a subtle matt effect. Highly flammable, always work in well-ventilated areas.

A solvent-based cleaner designed for cleaning brushes and tools after using acrylic paints and other water-based products. Its strong cleaning action also dissolves dried residues. After cleaning, rinse tools thoroughly with water. Caution: may cause skin irritation, handle with care. If cleaner comes into contact with skin, wash with soap and plenty of water.

A special additive for acrylic pouring techniques (pouring art or fluid art), used to create cellular patterns. Add a few drops to the prepared paint mixture and stir gently. Silicone promotes the separation of colors during pouring, creating round “paint islands” or cells. For best results, use on surfaces primed with Artemisia acrylic gesso. Heat the surface gently with a culinary torch to intensify the cell formation. Allow the artwork to dry on a level surface at room temperature. Before varnishing, clean the surface gently with soapy water to remove any residual oil.

The acrylic thinner assists in diluting and improving the flow of acrylic paints without significantly altering their color or coverage. Add in small amounts to achieve the desired consistency - recommended maximum ratio is 1:1. Stir gently to avoid air bubbles. The thinner enhances the flow and leveling properties of acrylic paint, making it ideal for various pouring techniques.

The acrylic thinner assists in diluting and improving the flow of acrylic paints without significantly altering their color or coverage. Add in small amounts to achieve the desired consistency - recommended maximum ratio is 1:1. Stir gently to avoid air bubbles. The thinner enhances the flow and leveling properties of acrylic paint, making it ideal for various pouring techniques.